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    • CommentAuthorModerator
    • CommentTimeJun 17th 2010 edited
     
    Moderator
    This discussion focuses on independent art initiatives and their relationship to art institutions and commercial entities.

    The popular perception of independent positions (and some non-profits) is constructed around oppositions to institutionalization and the market. (i.e, resisting the professionalized operations of museums or shunning the commercial drive of galleries/art fairs.) Perhaps things are not so clear cut.

    It is worth further examining this position especially in light of recent developments in the art world: emergence of pedagogical/public event driven art fair programs, sliding roles of commercial galleries, audience-driven museums, and commerce-type fundraising activities by non-profits.

    Do these developments change the relationship between independents and other entities? Is this popular perception of the independent accurate, reductive, or counterproductive? What possibilities could emerge in these shifting profiles and contexts?
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    sliding roles of commercial galleries,




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    • CommentAuthormmworkfifa
    • CommentTimeDec 10th 2016
     
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