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    • CommentAuthorModerator
    • CommentTimeAug 31st 2010 edited
     
    Moderator
    Established institutions, organizations, and museums have become particularly interested in the activities of independents recently. In a way, independents are no longer in the margins but are rather included -- officially celebrated and recognized more than ever.

    Institutions and organizations now host fairs/festivals and invite independents to curate programs/exhibitions.
    What do you make of this? What do independents represent in these cases? Are these isolated instances?
    • CommentAuthormanolis
    • CommentTimeMar 1st 2011
     
    What was originally thought as artists working in the independent, underground arts that is “often created under the radar of official culture, unfunded or underfunded, ignored by mainstream press, and occupying marginal spaces in the community, but this stream of work, while it has not transformed mainstream theater and dance, has certainly transformed dominant ideas of what constitutes theater”. (MacAuley, 2002)
    The vast involvement of the online tools offered, helped these ideas to find their space in the “market”, became self-funded, and required their independence from public institutes, private collections, galleries, museums which often worked as a constraining force creating a hostile environment within the art scene.
    The online art scene has evolved and reached an audience beyond the established foundations. It is truly independent and highly competitive to institutionalized art.
    Modern art “brand names” have little infiltration to the majority of the public where “cyber” promoted artist have an audience that extends to a larger community, thus making them equally valuable to foundations.
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    • CommentTimeJul 30th 2012
     
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    • CommentTimeJul 30th 2012
     
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    • CommentAuthorhusasa
    • CommentTimeOct 6th 2012
     
    What was originally thought as artists working in the independent, underground arts that is “often created under the radar of official culture, unfunded or underfunded, ignored by mainstream press, and occupying marginal spaces in the community, but this stream of work, while it has not transformed mainstream theater and dance, has certainly transformed dominant ideas of what constitutes theater”.
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    • CommentTimeOct 16th 2013
     
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